Amy Schumer stars as Renee, a woman who struggles with feelings of insecurity and inadequacy on a daily basis. After suffering a fall, she wakes up believing she is suddenly the most beautiful and capable woman on the planet. With this newfound confidence she is empowered to live her life fearlessly and flawlessly, but what will happen when she realizes her appearance never changed? This hilarious and relatable comedy also stars Academy Award nominee Michelle Williams, Rory Scovel, Busy Philipps, Aidy Bryant and Emily Ratajkowski, and is being hailed by critics as "funny and emotionally revealing" (Justin Chang, Los Angeles Times).
‘Lamp Lit Prose’ arrives just over a year after 2017’s self-titled ‘Dirty Projectors.’ Here David Longstreth’s band returns with a new album that is the yang to the yin of the 2017 effort. The songs signal a page turned for Longstreth: hope instead of heartbreak, a restorative balance. Guitars have returned to the Dirty Projectors’ world, intricate and gorgeous vocal harmony too. The album begins with “Right Now,” David singing, “there was silence in my heart, but now I’m striking up the band.” In addition to the core musicians and guests, LA string group the Calder Quartet, and The Brass Players of Los Angeles both appear on several songs. ‘Lamp Lit Prose’ is a recommitment to the sounds and ideals of Dirty Projectors, embracing the band’s trademarks while pushing forward the sonic envelope. Lamp Lit Prose will be the ninth release for Dirty Projectors and comes with collaborations from HAIM, Syd, Robin Pecknold, Rostam Batmanglij, Amber Mark, Empress Of and Dear Nora. Lamp Lit Prose was recorded at Ivo Shandor in Los Angeles.
Deafheaven was formed in 2010 by vocalist George Clarke and guitarist Kerry McCoy. They released their debut studio album Roads To Judah in 2011 . They added drummer Daniel Tracy to the group and released their breakthrough album Sunbather in 2013. After rounding out their line up with guitarist Shiv Mehra and bassist Stephen Clark—each subsequent live set felt like a religious experience for the bigger (and bigger) shows that followed. Their third album, and first for ANTI-, 2015’s New Bermuda, was heavier, sturdier, and more grounded in the dirt than Sunbather. They toured extensively to support New Bermuda playing tours and festivals with Lamb Of God, Anthrax, Danzig, and Gojira. Deafheaven’s new album, Ordinary Corrupt Human Love, finds them working with old friends again. The Jack Shirley-produced and Nick Steinhardt-art directed (of Touché Amoré) collection gets its title from Graham Greene’s novel The End of the Affair, referencing a moment when someone is looking for love, in all of its imper¬fection and simple beauty. This sentiment is carried throughout the hazy, yearning romanticism of the record with song titles and words as sumptuous as the sounds around them. Clarke describes the composition of Ordinary Corrupt Human Love beginning with “small seeds of healing, repair, and rebirth,” and like each subsequent Deafheaven album, this record is, in fact, a revelation. Defeat has inspired some of our best art. If you survive something terrible, you surface on the other side, walk toward the light, and come back to life. If you’re an artist, this kind of new self-knowledge can lead to creating something universal and remembered, something that can live longer than you do. While Deafheaven have managed to cross over this road in the past, they’ve nailed the feeling wholly with Ordinary Corrupt Human Love, a feeling that comes with experience and wisdom. Yes, everybody deals with hurt, everybody’s been the cause of their own implosions, and everybody has the capacity to overcome and love again. Deafheaven have found a way to externalize all of this, and in making their most complete record to date, they turn it into a balm and a cathartic exorcism.
Between the Buried and Me - Automata II - New CD Album This is PART TWO of BETWEEN THE BURIED AND ME’s two-part eighth album and introductory offering for Sumerian Records, Automata. The North Carolina quintet—Tommy Giles Rogers, Jr. [lead vocals, keyboards], Paul Waggoner [lead and rhythm guitar, backing and lead vocals], Dustie Waring [rhythm and lead guitar], Blake Richardson [drums], and Dan Briggs [bass, keyboards]—explore these themes by personally smashing boundaries once again. Automata marks the band’s first proper double LP-spanning concept. They continue to expand their ever-evolving style, upholding a tradition of progression in the process. Track Listing: 1. The Proverbial Bellow 2. Glide 3. Voice Of Trespass 4. The Grid
Back Roads And Abandoned Motels consists of the Jayhawks' versions of songs originally written by front man Gary Louris with and for other artists, including "Come Cryin' to Me" (originally released on Natalie Maines' Mother in 2013); "Everybody Knows" and "Bitter End" (released on Dixie Chicks' Taking The Long Way in 2006); "Gonna Be a Darkness" (written and performed by Louris and Jakob Dylan for True Blood: Music From The HBO Original Series - Volume 3 in 2011); "Need You Tonight" (originally released on Scott Thomas' Matson Tweed in 2015); "El Dorado" (originally released on Carrie Rodriguez' She Ain't Me in 2008); "Bird Never Flies" (originally released on Ari Hest's The Break-In in 2007); "Backwards Women" (written with Wild Feathers but never recorded) and "Long Time Ago" (written with Emerson Hart of Tonic but never recorded). In addition the album premieres two brand-new songs.
Co-produced by Dave Izumi in Izumi's own Echo Zoo studio in Eastbourne, work began on Outsiders in early 2017. The album, though instantly recognisable as a Magic Numbers record in it's melodies, begins with a more raucous punch sonically. The confidence is more evident than ever before, noticeable immediately in the more bluesy, gnarly guitar sound. Songs like 'The Keeper', even having a distinct T. Rex feel. I've been revisiting lots of early rock'n'roll and blues records, Bo Diddley, Howlin' Wolf", Stodart explains. "I've fallen madly in love with the electric guitar again for sure. I love T. Rex, and Bowie. The silver lining of the sadness of losing ?David Bowie?? was that you go back and become obsessed again. Even the way he left us was a work of art.' There's also been a subtle but significant shift in Stodart's lyrical themes. 'It wasn't a conscious decision to refrain from looking inward but I did feel a shift creatively with the things I wanted to say and share this time around. It's allowed me the opportunity to play with characters like Michele & I have done on 'Ride Against The Wind" which we based upon a fictitious motorcycle girl gang who've grown tired of conforming and towing the line in their everyday lives." This sense of fun is also reflected in the occasional references Romeo throws in of other people's songs, such as namechecking Kate Bush's "Hounds Of Love", and "Everybody's Talkin'" by ?Fred Neil??. "I enjoy throwing in those things in a way to see if people notice, it makes songwriting more playful." The lead single is the epic Neil Young meets Fleetwood Mac" Sweet Divide". "The couplet "Maybe there's no grand design/What if this is all we find?" hints at a humanist, even atheist interpretation. "No-one knows what's to come," says Romeo. "We're all just fumbling in the dark, searching, sometimes it can be comforting to acknowledge that. The expansive, extraordinary "Runaways" is one of the album's standout moments. "It's a love song for the misfits in society" Romeo explains, 'It's saying we're 'scorned lovers' 'damaged goods' but let's stick together and embrace it, I think there's a beauty in that'
With their new album, All That Reckoning, The Cowboy Junkies once again gently shake the listener to wake up. Whether commenting on the fragile state of the world or on personal relationships, this new collection may be the most powerful album the Cowboy Junkies have yet recorded. Its a deeper and a more complete record than weve ever done before, says songwriter / guitarist Michael Timmins. These songs are about reckoning on a personal level and reckoning on a political level.
Rayland Baxter’s new album is a dream realized. Since he first started writing music, this roving rock ‘n’ roll philosopher dreamed of a space where he could devote every waking hour to creating. The hard-touring musician finally found it in the form of an abandoned rubber band factory in Franklin, KY, where he covered the windows, threw a mattress on the floor, and with guitar and piano in tow, spent three straight months writing. At night he would sit and listen to the sounds around him: coyotes, the howling wind, the faint prattle of the nightly TV news. The result of this isolation quest is ‘Wide Awake’ (July 13/ATO Records), a ten-song collection that celebrates the best aspects of humanity and grasps at understanding the worst.
Leading with his heart as much as with his head, AHI is an emotional yet discerning lyricist who would rather demonstrate love than use the word itself. He allows his light to shine inward but only to a degree, admitting to some autobiography on In Our Time but as glimpsed through an imaginative lens. While his music possesses a quality of timelessness, the sounds here reveal a broad spectrum of influence and also toe the line between retro and revelatory. None of that is by accident: the album, like its 2016 predecessor, We Made It Through the Wreckage, was recorded in Nashville -- a place AHI finds attractive for its sound and skilled studio hands rather than its glitzy polish -- and this time on analog-to-tape with flourishes of digital technology.
Featuring a tour-de-force performance from Shia LaBeouf as tennis great John McEnroe, the kinetic sports thriller BORG VS. MCENROE is based on the dramatic true events behind one of the sport's most famous rivalries.
At the historic 1980 Wimbledon Championships, rising American star McEnroe sets his sights on dethroning reigning champion Björn Borg, sparking an unprecedented media frenzy in the tennis world. At the center of the hype, two legendary tennis icons' with polar opposite personas and approaches to the game; McEnroe, infamous for his brash, ferocious energy on the court and his equally spectacular, expletive-fueled tantrums, versus Borg's coolly composed, elegant style of play which complements his unflappable public demeanor. However, both men are hiding deep anxieties, locked in battle with their inner demons. On the court, each athlete brings his immense talents -- and handicaps -- to bear in one of the most suspenseful events in sports history.
From the producers who brought you Neighbors and This Is the End, comes the outrageous comedy: Blockers. When three parents (John Cena, Leslie Mann and Ike Barinholtz) stumble upon their daughters' pact to lose their virginity at prom, they launch a covert one-night operation to stop the teens from sealing the deal.
The Nude Party – one of 2018’s most groovy and dynamic rock records is produced by Oakley Munson of The Black Lips and recorded in Woodstock, NY at Dreamland Recording Studios, the circa-1896 former St. John’s Church. The self-titled album finds that formidable music machine cranked all the way to cosmic. Maybe it’s the electric waters of Lake Norman, NC where the band spent a primordial summer, or the upstate New York vibes that have beckoned American spiritualists and storytellers for a dozen generations, but something gives these cats a glow. At very least the numerology scans. Even when heartbreak crashes the party, like on the hilarious “Records,” the buoyancy of the band’s demeanor negates the inevitable bummer. From the self-aware irreverence of “Chevrolet Van” to the apocalyptic resignation of “War Is Coming,” The Nude Party surfs heavy wavelengths with elegance and grace.
This July marks the 50th anniversary of one of the most iconic and groundbreaking animated films of all time with a limited run of screenings around the world. As part of the celebrations, Capitol are releasing this picture disc of the title song, Yellow Submarine b/w Eleanor Rigby, which together was originally released as the band’s 13th single in August 1966.
Featuring images taken from the high resolution 4k restoration of the film, this limited edition single is a fun way for us all to join the party!
A band intuitively connected to great, homespun British pop, “Palo Santo” announces Years & Years’ ascension to the world stage, through an escapist futuristic fantasia created by Olly Alexander. A once-in-a-generation frontman who understands more than most his responsibility as a pop star, his personal leap forward in scope and ambition is reflected in the album’s colorful mix of collaborators, which range from Greg Kurstin, Julia Michaels and Justin Tranter to Steve Mac and Sarah Hudson.
Erasure are delighted to announce a brand new live album, World Be Live, via Mute. Taken from their recent sold out European tour in support of 2017’s World Be Gone, the album was recorded across the band’s recent London shows at the Eventim Apollo in Hammersmith and completes the trilogy of album releases around the World Be Gone project which started with 2017’s World be Gone album and continued with the orchestral re-imagining of those songs, World Beyond, in March of this year. Featuring twenty-four classic tracks from throughout their career (including an exclusive cover of Blondie’s 1981 classic “Atomic”), World Be Live will be released as 2CD, 3LP, and digitally on July 6, 2018 via Mute.
Founded in 1991 Immortal has often been the bench mark when it comes to quality extreme metal. The Norwegian natives released their debut album “Diabolical Fullmoon Mysticism” in 1992. Since then they have released eight full length releases, the last two, “All Shall Fall” (2009) and “Sons of Northern Darkness” (2002), were released on Nuclear Blast.
Going against the grain comes naturally for DevilDriver. The globally-renowned California Groove Machine have been a constant and effective force in the heavy metal world for the best part of two decades now. Thanks to widely lauded albums like 2005’s epoch-shredding The Fury Of Our Maker’s Hand, 2011’s ante-raising, ultra-brutal Beast and 2016’s acclaimed career peak Trust No One, the band led by vocalist Dez Fafara (ex-Coal Chamber) are firmly established as one of the most consistent and best loved bands in modern metal. But in 2018, expectations are about to be torched in the mother of all campfires! A monstrous collection of savage and slamming metal interpretations of Dez and his comrades’ favourite outlaw country songs, Outlaws ‘Til The End is both a startling curveball and a ferocious statement of individuality from a band with cojones to spare. “The blues and outlaw country are what made rock’n’roll. They were around before rock’n’roll...and in my head, I’ve always heard these songs heavy“, explains Dez. From the opening seconds of DevilDriver ‚sface-flaying version of Hank III’s ‘Country Heroes‘ (featuring the man himself on guest vocals) onwards, Outlaws ‘Til The End is simply one of the most vicious records the band have made yet. More importantly, these evocative, irresistible songs have all been wholly rebuilt from the ground up, powered by the classic DevilDriver sound and embellished with Dez’s unmistakable feral roar. Completing this unprecedented project is a host of metal and country luminaries providing unforgettable cameos: Wednesday 13, Brock Lindow (36 Crazyfists) Burton C. Bell (Fear Factory), Lee Ving (Fear), Randy Blythe and Mark Morton (Lamb Of God) and none other than John Cash Jr, son of Johnny Cash. The perfect marriage of badass country grit and neck-wrecking groove metal supremacy, it’s a pistol-packing game-changer delivered by true heavy metal outlaws.
The Melbourne nine piece funk-soul powerhouse The Bamboos return with a new single “Lit Up” taken from their forthcoming al- bum, Night Time People, the group’s eighth studio album due out June 8 through Pacific Theatre/BMG. Millions of listeners globally are already familiar with the winning combination of The Bamboo’s guitarist / leader Lance Ferguson and vocalist Kylie Auldist, thanks to “This Girl” by Kung Vs. Cookin’ On 3 Burners. One of 2016’s biggest chart hits, “This Girl” was a remix of a 2009 track co-written by Ferguson that showed that the world was craving pop music with genuine soul.
Mute announces a special deluxe edition of Silver Eye, Goldfrapp’s acclaimed seventh album from 2017. If 2013’s Tales of Us, a set of noirish folk fables, roamed the same pastoral landscape as Felt Mountain and Seventh Tree, then Silver Eye (a reference to the moon) belongs to the pulsing, electronic lineage of Black Cherry and Supernature only deeper and darker. The common thread between these two modes, apart from the consistently exquisite arrangements and Alison Goldfrapp’s extraordinary voice, is a set of enduring preoccupations, which inform both the lyrics and the visual aesthetic. “Mysticism, ecstasy, ritual, contemplation, metamorphosis, the elemental,” says Goldfrapp, who took all of the photographs and creatively directed all artwork visuals. “I’ve realised that there are things I feel passionate about on a deep level and they’re in this record.” On Silver Eye, for the first time, Alison Goldfrapp and Will Gregory sought new collaborators as the songs were taking shape. They spent 10 days in Dallas with John Congleton, Grammy-winning producer of St. Vincent, John Grant and Wild Beasts. In London, they teamed up with electronic composer Bobby Krlic, aka The Haxan Cloak. Alison Goldfrapp describes Goldfrapp’s music-making as “a constant quest. I don’t think you ever feel like you’ve achieved everything, it’s impossible. You’re always searching, trying to attain some kind of utopia in what you do.” With Silver Eye, that search has taken them to yet another new place, one that’s full of mystery, menace and transcendent beauty. Goldfrapp’s quest continues. Featuring the original album plus remixes of such classic tracks as “Anymore” and “Systemagic” alongside two previously unreleased tracks (including a newly recorded version of “Ocean”), Silver Eye: Deluxe Edition will be released July 6, 2018 as a 2CD set and digitally via Mute.
YUNGBLUD’s debut album 21st Century Liability will be released on July 6, 2018 via Geffen Records & Locomotion Recordings. “Blending poetic, provoking lyrics with explosive hooks”, lead single “Medication” follows up his alternative charting track “I Love You, Will You Marry Me”, performed earlier this year on Late Night with Seth Meyers. YUNGBLUD will perform on this summer’s final Vans Warped Tour and embark on his first North American headlining tour this fall.
Sing For The Day! showcases Styx guitarist/vocalist Tommy Shaw's rousing 2016 solo turn with the Cleveland-based Contemporary Youth Orchestra, under the direction of principal conductor/founder Liza Grossman. Alongside guitarist/musical director Will Evankovich and backed by the next generation of the finest high-school-aged musicians in Ohio, Shaw also celebrates the tenth anniversary of Styx's triumphant 2006 One With Everything performance with the CYO. Here, the CYO & Chorus bring new life to many classic band and solo tracks in front of an enthusiastic audience at the intimate Waetjen Auditorium in Cleveland, including "Blue Collar Man," "Girls With Guns," "High Enough," "Too Much Time on My Hands," "Crystal Ball" (featuring the debut of its never-recorded lost verse), and most especially "Renegade," highlighted by an epic guitar/violin duel between Shaw and a noted CYO alum. "It was so much bigger and more everlasting than any of us imagined it would be," marvels Shaw - now see and hear just how magical Sing was for yourself.
Scream for Me Sarajevo is the story of the most unlikely of rock concerts, performed by Bruce Dickinson in 1994, in the midst of the Siege of Sarajevo. This is a film about extraordinary people defying the horrors of war, and the musicians who risked their lives to play a show for them. This documentary features footage from the historic gig, recent interviews with Bruce, the band, crew, security and also the people of Sarajevo that lived through the war.
"We weren’t protected, there was no plan and the bullets were real, but f*** it, we went anyway” said Bruce in his recent best-selling autobiography What Does This Button Do?, “The gig was immense, intense and probably the biggest show in the world at that moment for the audience and for us. That the world didn’t really know didn’t matter. It changed the way I viewed life, death, and other human beings”
The cultural aversion to a group of punks in a conservative Texas town leads to one of the most controversial hate crimes in American history. Based on the true story of Brian Deneke, Bomb City questions the morality of American justice.
Six-time Grammy-nominee Florence + the Machine to release hugely-anticipated new album ‘High As Hope’ June 29th via Virgin EMI / Republic Records. ‘High As Hope’ is the sound of an artist who appears more certain than ever of herself. Florence writes about her teens and twenties with a renewed, more mature perspective: of growing up in South London, of family, relationships and art itself. The first official single ‘Hunger,’ is out now.
My head feels like it is exploding with the amount of information we are forced to consume on a daily basis, and how that information is so DISTORTED there is almost no longer any tangible truth,” says James. “The name of my new record is UNIFORM DISTORTION because I feel like there is this blanket distortion on society/media and the way we gather our ‘news and important information. More and more of us are feeling lost and looking for new ways out of this distortion and back to the truth…and finding hope in places like the desert where I write this now...finding hope in the land and in the water and in old books offering new ideas and most importantly in each other and love.
Single LP on black vinyl with printed inner sleeve. Includes coupon for full download
Formed in Brooklyn in 1998, The Essex Green released four albums between 1999 and 2006. They became one of the few bands from the Northeast to be associated with the groundbreaking Elephant 6 Collective. Their unique blend of harmony-infused pop music culminated in the 2006 release of Cannibal Sea.
Sasha Bell, Jeff Baron, and Christopher Ziter were last seen together in the late aughts, waving from their van as they bid farewell to Brooklyn. And then, the unthinkable: The Essex Green went silent. But why? Legal cannabis? Climate change? Bad oysters? Nothing so dramatic. It was a simple promise made among them to chase down their separate dreams: Baron to build a houseboat and navigate the mighty Allegheny, Monongahela, and Ohio Rivers; Ziter to return to his home state of Vermont and lead local fermentation efforts; and Bell to decamp to Montana to study elk rutting.
Having achieved their goals or not, they vowed to break their silence in secret on the frigid waters of Lake Champlain during the blood moon eclipse of 2015 when the effect of the moon in Libra would be most powerful. Over the next two years, the three continued to meet and record in undisclosed locations. The result is Hardly Electronic, a music mapping of the trio’s personal journeys over the past decade.
Following the group’s 1985 formation, Guns N’ Roses injected unbridled attitude into the burgeoning Los Angeles rock scene. They went on to captivate the entire world with the July 21, 1987 release of Appetite For Destruction, which remains the best-selling U.S. debut album ever, moving over 30 million copies globally. Appetite features such indelible tracks such as the No. 1 single “Sweet Child O’ Mine,” “Welcome To The Jungle,” “Nightrain,” and “Paradise City.”
The Appetite For Destruction: Super Deluxe Edition features 4CDs including the album newly remastered for the first time ever; B-sides N’ EPs newly remastered; the previously unreleased 1986 Sound City Session N’ More recordings; a Blu-ray Audio disc with the album, bonus tracks and music videos in brand new 5.1 surround sound along with the unearthed music video for “It’s So Easy” originally shot in 1989 but never finished; and a 96-page hardcover book showcasing unseen photos from Axl Rose’s personal archive and wealth of memorabilia. In addition, the Super Deluxe Edition contains collectables like never-before-seen band lithos, replica concert tickets, a wall poster, temporary band member tattoos , a Robert Williams painting litho, and a replica “Welcome To The Jungle” video shoot invite flyer originally drawn by Slash.
Single LP on black vinyl in single sleeve. Includes coupon for full download
Born in Cabbagetown, Georgia, the Rock*A*Teens carved their signature echo-wrapped, wounded-heart music on the edges of the Atlanta music scene more than 20 years ago. Led by songwriter and lead singer/guitarist Christopher Lopez, the band released a handful of reverb-drenched singles and full-lengths on the independent Daemon and Merge labels in the late ’90s and early 2000s.
Following their reunion at the Merge 25 festival and the reissue of their last LP Sweet Bird of Youth (Merge, 2000), the group returned to touring and playing live. Restless with the need to move forward, the band began writing and recording new music.
Guided by a batch of home recordings and demos, Lopez, guitarist Justin Hughes, bassist William R. Joiner, and drummer Ballard Lesemann convened with Tim Delaney at Electron Gardens Studio and Rafael Pereira at Tribo Studios to shape their ideas into the glorious, bombastic new album Sixth House.
There comes a point in every career of note, when it’s time to dig a trench in the turf; to define exactly who you are in a way that resonates in the broadest possible manner. For Bullet For My Valentine – now two decades deep into their story, one of rock and metal’s foremost names, a genuine success – that time is now. Produced and mixed by Carl Bown, ‘Gravity’ (the UK band’s sixth studio album, the follow-up to 2015’s ‘Venom’) sees the musicians delivering a body of work that looks set to add extra layers of excitement and meaning both to their own trajectory and to the genre per se. At a time when the international scene feels ready for a serious shot in the arm, ‘Gravity’ is an album of true craft and vision – an ambitious labour of love with the weight and the punch that the band’s extensive, ever-burgeoning fan-base has come to expect, a point made in style by lead single / video ‘Over It’, whilst adding enough in terms of atmosphere, melody and contemporary sheen to spin heads in wider circles.
Backed up by an extensive worldwide touring plan that sees BFMV’s strongest ever line-up playing major shows and festivals for the whole of 2018 (and beyond), ‘Gravity’ already feels like an important album. Simply, this is frontman Matt Tuck and his fellow players thinking big and bold and refusing to compromise or back down.
The title is ‘Gravity’, but the music is set to rise like a rocket. Let the countdown commence…
The Milk Carton Kids’ fifth album , All the Things That I Did and All the Things That I Didn’t Do arrives from ANTI- Records on June 29. The new project marks the first time that acoustic duo Joey Ryan and Kenneth Pattengale have brought a band into studio with them. “We wanted to do something new,” Pattengale says. “We had been going around the country yet another time to do the duo show, going to the places we’d been before. There arose some sort of need for change.” “Musically we knew we were going to make the record with a big- ger sonic palette,” says Ryan. “It was liberating to know we didn’t have to be able to carry every song with just our two guitars.” “Sometimes in singing, we’ll switch parts for a beat or a bar or a note,” Ryan says. “And things start to obscure what is the melody and what is the supporting part.” A third presence rises out of their combined voices. “There are only so many things you can do alone that al- low you to transcend your sense of self for even a short period,” Pattengale says. “I’m the lucky recipient of a life in which for hundreds of times, day after day, I get to spend an hour that is like speaking a language only two people know and doing it in a space with others who want to hear it.”
Unknown until 2004 and unheard until now, these recordings by the John Coltrane Quartet are, as Sonny Rollins says in the liner notes, “like finding a new room in the Great Pyramid.” With the discovery of the ¼”reference tapes that Coltrane took home with him after the recording session a session that was completely unknown and for which master tapes don’t exist an important chapter in the evolution of Coltrane’s music can now be heard for the first time. Featuring the Classic Quartet John Coltrane, McCoy Tyner, Jimmy Garrison and Elvin Jones and recorded at the end of a two week run at Birdland, the music on this album represents one of the most influential groups in music history both performing in a musical style it had perfected and reaching in new, exploratory directions that were to affect the trajectory of jazz from that point forward.
The Interrupters are an L.A. based four-piece bound by their rebel spirit and deep love of punk, rock, ska and 2 Tone. They make super high-energy rock -n-roll that’s equal parts catchy and confrontational. Their third album, Fight The Good Fight, was produced by Rancid’s Tim Armstrong and released on his Hellcat imprint for Epitaph Records. The album features front-woman Aimee Interrupter, guitarist Kevin Bivona, bassist Justin Bivone and drummer Jesse Bivona, spitting out lyrics that take on matters as thorny as family, friendship, martial law and loyalty, while churning out bouncing rock-steady rhythms and snarly guitar riffs. The Interrupters have built their live act of unstoppable energy and a feeling of easy community that reflects their familial vibe. They had toured the world with the likes of Green Day and Rancid and played huge festivals from The Vans Warped tour to Coachella. “There is usually a dance party going on in the crowd, which we appreciate since we always have our own dance party happening on stage,” says guitarist Kevin Bivona. The Interrupters will be dancing their way to a town near you this summer on many festivals and tours including The Punk in Drublic Festivals, Back to The Beach Festival and the Main Stage on Vans Warped Tour.
The power of words isn’t lost on longstanding Americana triumvirate The Devil Makes Three—Pete Bernhard, Lucia Turino, and Cooper McBean. For as much as they remain rooted in troubadour traditions of wandering folk, Delta blues, whiskey-soaked ragtime, and reckless rock ‘n’ roll, the band nods to the revolutionary unrest of author James Baldwin, the no-holds barred disillusionment of Ernest Hemingway, and Southern Gothic malaise of Flannery O’Connor.
In that respect, their sixth full-length and first of original material since 2013, Chains Are Broken, resembles a dusty leather-bound book of short stories from some bygone era. As the band began writing ideas for Chains Are Broken, they veered off the proverbial path creatively. Instead of their typical revolving cast of collaborators, The Devil Makes Three stuck to its signature power trio, with one addition. This time, they invited touring drummer Stefan Amidon to power the bulk of the percussion.
Another first, they retreated to Sonic Ranch Studios in El Paso, TX a stone’s throw from the Mexican border to record with producer Ted Hutt [Dropkick Murphys].
The incorporation of new sounds as well as the experimentation in space finds the Devil Makes Three crafting a new yet still familiar sound. Coupled with a continued focus on in-depth lyricism that tells a story in every song, Chains Are Broken is a liberating, rump-shaking collection of past, present and future.
White Denim's new album 'Performance' collects nine expertly crafted songs that twist and turn, bending genres in the band's unique style. Students of rock music, White Denim has clearly listened to and learned from the best albums ever made from T. Rex to XTC to Little Feat to Jim O'Rourke...but they write songs just dumb enough to drink, dance, and fight to. Rock and roll music that aims for the whole body. Recorded in hometown Austin, Texas in their new Radio Milk studio, Performance displays a band of extraordinary musicians at their creative peak.
The brainchild of Matthew Logan Vasquez (Delta Spirit), Glorietta was born of a desire to collaborate with friends that Vasquez has collected over the years. Those friends; Noah Gundersen, Kelsey Wilson (Wild Child), David Ramirez, Grammy-winner Adrian Quesada, and Jason Robert Blum came together over the course of a week in a rented house in Glorieta, NM. "We chose Glorieta because it was isolated enough to feel like we were at camp" said Vasquez, "the only requirements were vaulted ceilings and a jacuzzi. The days were long with the tape running constantly as the players bought songs in various stages of completion to their new family of collaborators. Midway through the sessions the group was joined by a guest appearance from Nathaniel Ratliff, who drove straight through the night to join the party. The result is their self-titled debut record; a beautiful mix of voices from six band leaders, that fit perfectly together.
Walter Martin, best known for his work with acclaimed indie rock band The Walkmen, returns with a new solo album. Martin has released several albums of children's music - but Reminisce Bar & Grill is a record for his adult fans. NPR calls it a weightier meditation on where Martin finds himself in life, now, as a married middle-aged father. Black standard weight vinyl in sleeve with download card.
Hypochondriac, the third full-length album from San Diego band The Frights, is an album full of addictively catchy songs about fear and frustration. “I’ve gotten better with time, but I’m pretty paranoid about most things, especially health issues—I think everything’s killing me,” says Mikey Carnevale, vocalist/guitarist for The Frights. “That, mixed with anxiety, means that I can be a real baby. All of these songs address this in one way or another.” The album is their first full-length for Epitaph Records, who signed The Frights in early 2018. Produced by FIDLAR frontman Zac Carper, Hypochondriac follows The Frights’ 2016 album You Are Going To Hate This and marks a period of major creative growth for the band (which also includes bassist Richard Dotson, drummer Marc Finn, and guitarist Jordan Clark). “I wrote every song on an acoustic guitar, which is something I made a point to do,” says Carnevale. Throughout Hypochondriac, The Frights build a brilliant tension between their shiny hooks and painful lyrics, their goofball spirit and melancholy outlook. In the end, the album unfolds as their most emotionally honest work so far, just as the band intended it to be.
Double LP on black vinyl in wide spine jacket. Includes 22.75” x 33” 2-sided folded newsprint poster. Includes coupon for full download
“Never sink and never hide / They tried to break our dream, but child: / Joy Stops Time”. I was sent an unfinished version of Dose Your Dreams so that I might contribute string parts. I couldn’t stop listening to the rough mixes I received. A friend asked me how the record was. I replied, “My God, Fucked Up have made their Screamadelica.”
And psych-rock-groove it is. The drums mixed wide, propensity for drones, for delay pedal, for repetition, groove. The politics and aesthetics of hardcore married to an “open format” approach to genre. Elements of doo-wop, krautrock, groove, digital hardcore.
“None of Your Business Man” opens the album in familiar enough territory, a sax-assisted exit from an office space. But things get psychedelic very quickly. By the time the title track arrives, Mike Haliechuk is whispering, wah pedals are in full effect, and we’re wearing oversized t-shirts and pinwheeling. “Accelerate,” the lyrical centerpiece of the album, storms in like Boredoms on a bullet train and dissolves into a digital nightmare. The album closer, “Joy Stops Time,” finds Fucked Up at their most Düsseldorfian, nearly eight minutes of blissful motorik.
At the center of it all is Damian Abraham’s scream—a man chained, a man tortured, a true protagonist. The effect is one of an epic, every chapter attempting its own narrative devices, its own genre hybridization—and it works, it works so insanely well. The drama unfolds like a miniature world of many parts being explored, a map being illuminated, location by location.
As with David Comes to Life, there is a story here. David—who once came to life—is now indentured to a desk job. David meets the elderly Joyce who closes his eyes, opens his mind, and sends him on a spiritual journey. David embarks on his own metaphysical odyssey. He sees a stage adaptation of his own life. He speaks to an angel in a lightbulb. He sees an infinite series of universes as simulations within simulations.
Meanwhile, Lloyd—Joyce’s lover—was sent, decades ago, by Joyce on the same odyssey, but was lost in the void. Lloyd seeks to be found and reunited with his lover. Where will David end up? Will Joyce and Lloyd be reunited?
Dose Your Dreams—meaning: treat your dreams as you would a dream, allow yourself to be lost within them, allow them to open your heart and your mind, enjoy them as you would a drug. Reach out for my hand and pull me close.
Reprise Recordswill releaseAn American Treasure—a career-spanningTom Pettybox set.The 60-track set unveils dozens of previously unreleased recordings, alternate versions of classic songs, rarities, historic live performances and deep tracks that spotlight Tom’s remarkable depth and evolution as a revered and tremendously influential songwriter, recording artist and performer.An American Treasuremarks the first release of Tom Petty music since the artist’s tragic passing in October 2017.
An American Treasure: Standard Edition-A 2-CD set that features26 career spanning trackschosen from the Deluxe editions, as well as Bud Scoppa's detailed track-by-track.
Mogwai's sixth studio album is, as one might expect, a brooding and atmospheric collection, full of the band's exceptional use of dynamics and creation of hypnotic soundscapes. The Hawk Is Howling is, however, partly more reflective than previous releases, perhaps sharing more in common with 2001's Rock Action. Instrumentally the band have somewhat branched out, utilising light synthesizers on tracks such as 'The Sun Smells Too Loud'. For the first time since their debut Mogwai Young Team LP, Andy Miller was on production duties. Recorded in notable Glasgow studio Chem 19 (run by the Chemikal Underground record label), this release sees Mogwai simultaneously stepping forward musically and returning to their roots.
Underworld and Iggy Pop announce Teatime Dub Encounters due for release on July 27th via Caroline. The 4 track EP is the result of a few clandestine hotel room recording sessions that began a few weeks after Underworld and Iggy Pop each released their last albums on the same day (3/18/16). It is neither historical nor a tribute to past work; it is the work of artists in motion, engaged in a process that they both bring to all of their work – one that uses spontaneity as a spur for creativity.
The self-produced Out Of The Blues finds national treasure Boz Scaggs applying his iconic voice and gritty guitar skills to a set of vintage classics as well as four originals. For the occasion, the legendary singer/songwriter/guitarist assembled a star-studded studio band including such prestigious players as guitarists Doyle Bramhall II, Ray Parker Jr. and Charlie Sexton, bassist Willie Weeks, drummer Jim Keltner and keyboardist Jim Cox, as well as longtime friend Jack Walroth on guitar, harmonica and percussion.
With over 225,000 physical albums sold, millions of streams, and hundreds of sell-out live performances nationwide, Cody Jinks’ highly anticipated new album, Lifers, marks his debut for Rounder Records and the next chapter in a book of grass-roots country music superstardom. In the two years since he released his last album, (which made its impressive debut on the Billboard Country Albums chart at #4), Jinks and his band have relentlessly toured and cultivated an immense and loyal following among enthusiastic music fans who crave the kind of authentic country music on which he was nurtured. The title track and theme of the album celebrates the resilience of the human spirit and pays tribute to the often overlooked “lifers, the struggling strivers, working long after the day is done…the last of the great generation.”
Texas' genre-bending rock 'n' roller Israel Nash presents his latest long play, Lifted. It is a modern day hippie-spiritual, a tonic for those needing to put aside the mess of the daily grind. With luscious beds of strings, horns and well adorned towering walls of sound, Lifted finds Nash continuing his tradition of creating a sonic experience of feeling that is at once both vast and intimate -- soaring and untamed at times, placid and sincerely personal at others.
Proudly carrying the torch that artists like Zack de la Rocha, Woody Guthrie, Chuck D, System of a Down, and Kendrick Lamar lit up with their politically charged lyrics, the talented singer, rapper, poet, illustrator, author, and activist OTEP SHAMAYA has proven to be one of the prolific, loudest and most sincere voices in protest music! On KULT 45, the powerhouse eighth studio album, OTEP expertly fuses aggressive and pervasive metal molotovs, imbued with eruptive rapcore, that captivate the mind and body, not only with lyrically-embraced social enlightenment, but with poignant messages regarding the current political and cultural conditions in America. On hymns such as 'Halt Right' and 'Molotov', OTEP thrashes out with brute force and skillful pun, clearly calling out against the return of odiferous hate groups. With the more emotionally charged 'Shelter In Place’ OTEP speaks out against school shootings and gun violence while also commending the strength and courage of survivors and the passion and devotion of the Parkland high school students who organized and set forth the MARCH FOR OUR LIVES movement. Later the album segues to a beautiful ballad called BRAVE that seductively beckons listeners to abandon their comfort zones and go after their dreams. "Things needed to be said and songs needed to be written without fear so to bravely reflect the times." Shamaya explains that KULT 45 is the most authentic album OTEP has ever released. The album closes out with a cover of the classic song "Wake Up" - a tribute to the legends, RAGE AGAINST THE MACHINE.
Influential hard rock legend, reality TV star, Broadway alumni, horror movie director, radio host – Dee Snider, the face and voice of the legendary Twisted Sister, has a career many would kill for. And yet the singer`s thirst is far from being quenched – his thirst for METAL! Dee Snider has inked a deal with Napalm Records for his upcoming solo album For The Love Of Metal produced by Hatebreed vocalist Jamey Jasta and featuring contributions from Howard Jones (ex-Killswitch Engage), Mark Morton (Lamb Of God), Alissa White-Gluz (Arch Enemy), Joel Grind and Nick Bellmore (Toxic Holocaust) and Charlie Bellmore (Kingdom Of Sorrow). Snider comments about For The Love Of Metal: "This is a really incredibly exciting album that I did not expect to make, especially at this point in my life. Jamey Jasta challenged me to make a contemporary rock record. … and I rose to the challenge!“ The result is a full-on anthemic metal album indulging in modern heaviness without neglecting Snider`s Twisted Sister roots. One of the most powerful voices in rock & heavy metal is back...and more ferocious than ever!